POSSIBLE WORLDS OF SCIENCE FICTION edited by Groff Conklin

TITLE: POSSIBLE WORLDS OF SCIENCE FICTION
EDITED BY: Groff Conklin
CATEGORY: Anthology
SUB-CATEGORY: Short Fiction
FORMAT: Hardback, 256 pages
PUBLISHER: Grayson & Grayson, Ltd, London, 1952.

That’s the various general details, here’s a listing of the contents:

Introduction by Groff Conklin

PART ONE: THE SOLAR SYSTEM

  • “Operation Pumice” by Raymond Z. Gallun (Thrilling Wonder Stories, April 1949)
  • “Enchanted Village” by A. E. Van Vogt (Other Worlds Science Stories, July 1950)
  • “Lilies of Life” by Malcolm Jameson (Astounding Science Fiction, January 1945)
  • “Asleep in Armageddon” by Ray Bradbury (Planet Stories, Winter 1948)
  • “Not Final!” by Isaac Asimov (Astounding Science Fiction, October 1941)
  • “Moon of Delirium” by D. L. James (Astounding Science Fiction, January 1940)
  • “The Pillows” by Margaret St. Clair (Thrilling Wonder Stories, June 1950)

PART TWO: THE GALAXY

  • “Propagandist” by Murray Leinster (Astounding Science Fiction, October 1947)
  • “Hard-Luck Diggings” by Jack Vance (Startling Stories, July 1948)
  • “Space Rating” by John Berryman (Astounding Science Fiction, October 1939)
  • “Limiting Factor” by Clifford D. Simak (Startling Stories, November 1949)
  • “Exit Line” by Samuel Merwin, Jr. (Startling Stories, September 1948)
  • “The Helping Hand” by Poul Anderson (Astounding Science Fiction, May 1950)

This is an interesting anthology, edited by one of the great classic SF anthologists, and another of my favourites, Groff Conklin. The theme of this anthology is “Possible Worlds”, mankind’s possible future exploration of space, and the worlds and lifeforms he might encounter “out there”. The book is divided into two sections. The first, containing seven stories, deals with possible worlds within the solar system. The second section, comprised of six stories, takes us out to encounter worlds and life out in the galaxy.

There are quite a few familiar names here from the many anthologies I’ve collected over the years. Anderson, Asimov, Vance, Simak, Van Vogt, Leinster, Bradbury and Gallun. The others – Merwin, St. Clair, Jameson, Berryman and James – aren’t familiar to me at all. I either don’t know them at all, or have met them so infrequently that they don’t register in my fading memory. As for the stories, however, only the Van Vogt, Asimov, Bradbury and Leinster ring a bell. I don’t recall the others at all. Maybe I’ve read some or all of them at some point in the distant past, but I just don’t remember them. So it should be fun making my way through this anthology, given that I really love vintage SF from this era.

We’ve got thirteen stories in all, the oldest from 1939, the newest from 1950. They are culled from a range of SF magazines from that period – unsurprisingly there’s a large contingent (six stories) from Astounding, and the rest are spread around Startling Stories (three stories), Thrilling Wonder Stories (two stories), and one story each from Planet Stories and Other Worlds Science Stories.

I’ve had this anthology in my collection for many years, but I don’t think I’ve ever actually read it. As I have a rather huge collection of many thousands of SF books, it’s not exactly on its lonesome there – so many books to read, not enough years left in my life to read ’em all. But at least this one has moved to the top of the list and will not remain unread before I shuffle off this mortal coil. 🙂

Sci-Fi Cinema Classic – THE TIME MACHINE (1960)

Right now, I’m having a lovely, relaxing Saturday evening, sitting back, chilling, and watching one of my favourite sci-fi cinema classics on Film4. The amazing 1960 George Pal movie adaptation of the landmark H. G. Wells 1895 novella (or short novel) THE TIME MACHINE is one that I haven’t watched in quite some time, and it’s really nice to see it on the telly again.

This was the very first sci-fi film that had a big impact on me, when I first saw it at about the age of five or six years old on local Irish television (RTE). I remember standing, totally transfixed, in my grannie’s living room, staring at the TV in total amazement for two hours as the film unfolded (some achievement, I can tell you, as I never stood still for a moment when I was a young kid). At that tender age, I’d never seen anything quite like it, and this film was to become a life-long influence, playing a massive part in turning me into the sci-fi/science fiction geek that I am today.

For at least the first half of my life (I’m almost 54 now), THE TIME MACHINE remained my absolute favourite film ever, until I eventually became fed up with it after watching it over and over again ceaselessly on video during the 1980’s. This one film kick-started my obsession with sci-fi cinema in general, which I’ve adored from that very early stage of my life. It also led directly to me picking up the original H. G. Wells novel from the local library a couple of years later, a point in my life which also marks the beginning of my life-long love for reading science fiction literature. This old film has a lot to answer for! 🙂

Sure, a lot of my love for this 1960 film is probably sheer nostalgia on my part, and younger viewers might consider it slightly dated and slow now compared to more modern films, with their wondrous CGI special effects and non-stop action and explosions. But I believe that the SFX in THE TIME MACHINE still hold up remarkably well today – you have to remember that this film is over fifty years old, and it DID win an Oscar for the visual effects back in the day. So it was definitely THE big sci-fi blockbuster movie with the great effects, at least back in 1960, and still looks good today, in my opinion. I wonder how many of the current fancy movies will still hold up in fifty years time.

The 2002 Simon Wells-directed reimagining of this film has grown on me over the years, despite my dismissing it as an inferior remake when it was first released. But while I do like the 2002 version now, the 1960 version still retains that spot in my heart as my favourite movie version of this classic 1895 scientific romance. Highly recommended, especially for older viewers who don’t suffer from having only the attention span of a goldfish or who are unable to sit through a film without non-stop action and snazzy modern SFX.

The film is getting near the climax now, with the hero rescuing the female “love interest” from a terrible fate underground as “Saturday Evening Lunch”. I’m off to watch the ending!