The Golden Age of Science Fiction (Kindle Edition)

All of my posts on SF books up until now have been on “real” books, the paper, printed kind. Which is fine and dandy, as I have a massive collection of books. But back in 2012, I bought myself an Amazon Kindle e-reader (3rd gen), and since then, I’ve been reading more and more SF in electronic format.

Despite being a computer user since the mid-1980s, I’ve always been a bit slow keeping up with the newest technologies (I still don’t have a smartphone, and can’t be bothered with them, to be honest). I’ve been the same with e-readers. I’m pretty old-fashioned when it comes to books, almost always preferring the actual physical book to a bunch of pixels on a computer monitor. That’s the book collector side of me showing his face. But, as a mere reader, as opposed to a collector, I spend a lot more time actually reading books on my Kindle these days. The computer is on virtually from when I wake up until I go to sleep, so, in many ways, I actually now find it easier (or at least AS easy) to read on a Kindle or computer monitor than I do reading from a book.

It seems that I’ve been split into two personas – the obsessive book collector, who will always prefer “real”, physical books, and the reader, who likes a quick, dirty read on his Kindle. It’s much easier to carry hundreds of books around on a Kindle, and it certainly is a huge space-saver, not having to clutter up the house with yet more paperbacks (I’ve long ago run out of space, and my home is already totally cluttered up with paperbacks), and the Kindle certainly seems to have replaced the mass market paperback for me, leaving the buying of physical, print books mostly in hardback or trade paperback for more collectible books or my favourite authors.

Since I bought my Kindle four years ago, I’ve been buying huge numbers of cheap Kindle author collections and anthologies of vintage and classic SF. So I reckon that it’s long past time that I start listing and recommending a few of these ebooks, in addition to the print books I’ve been collecting. I’m going to start off with a series called The Golden Age of Science Fiction – I’ve found fifteen volumes so far on Amazon, although there may be more. Here’s a listing of the fifteen volumes and their contents:

The Golden Age of Science Fiction – Volume I

They Twinkled Like Jewels, by Philip Jose Farmer
This Crowded Earth, by Robert Bloch
Time and Time Again, by H. Beam Piper
Time Enough At Last, by Lynn Venable
Toy Shop, by Harry Harrison
Two Timer, by Frederic Brown
Watchbird, by Robert Sheckley
Year of the Big Thaw, by Marion Zimmer Bradley
The Sensitive Man, by Poul Anderson
The Skull, by Philip K. Dick

The Golden Age of Science Fiction – Volume II

Warrior Race, by Robert Sheckley
Advanced Chemistry, by Jack Huekels
Spacewrecked on Venus, by Neil R. Jones
The Martian, by A.R. Hilliard and Allen Glasser
The Velvet Glove, by Harry Harrison
Gambler’s World, by Keith Laumer
Invasion, by Murray Leinster
The Knights of Arthur, by Frederik Pohl
The Missing Link, by Frank Herbert
Sand Doom, by Murray Leinster

The Golden Age of Science Fiction – Volume III

The Silver Menace, by Murray Leinster
The Birds of Lorrane, by Bill Doede
Half Past Alligator, by Donald Colvin
The Weather on Mercury, by William Morrison
Today is Forever, by Roger Dee
Education of a Martian, by Joseph Shallit
Earthbound, by Lester del Rey
Not Fit for Children, by Evelyn Smith

The Golden Age of Science Fiction – Volume IV

A Gleeb for Earth, by Charles Shafhauser
The Highest Mountain, by Bryce Walton
Soldier Boy, by Michael Shaara
Tea Tray in the Sky, by Evelyn Smith
Alien Minds, by E. Everett Evans
Proof of the Pudding, by Robert Sheckley
Green Grew the Lasses, by Ruth Wainwright

The Golden Age of Science Fiction – Volume V

The Moons of Mars, by Dean Evans
Orphans of the Void, by Michael Shaara
The Luckiest Man in Denv, by Simon Eisner
The Awakening, by Jack Sharkey
A City Near Centaurus, by Bill Doede
How to Make Friends, by Jim Harmon
A Bad Day for Sales, by Fritz Leiber
Bimmie Says, by Sydney van Scyoc
Shipping Clerk, by William Morrison

The Golden Age of Science Fiction – Volume VI

Proof of the Pudding, by Robert Sheckley
Green Grew the Lasses, by Ruth Wainwright
The Luckiest Man in Denv, by Simon Eisner
The Awakening, by Jack Sharkey
Orphans of the Void, by Michael Shaara
The Moons of Mars, by Dean Evans
A Bad Day for Sales, by Fritz Leiber
How to Make Friends, by Jim Harmon
A City Near Centaurus, by Bill Doede
Bimmie Says, by Sydney van Scyoc
Shipping Clerk, by William Morrison

The Golden Age of Science Fiction – Volume VII

The Highest Mountain, by Bryce Walton
A Gleeb for Earth, by Charles Shafhauser
Not Fit for Children, by Evelyn Smith
The Barbarians, by John Sentry
He Walked Around the Horses, by H. Beam Piper
Last Enemy, by H. Beam Piper
Assassin, by J.F. Bone

The Golden Age of Science Fiction – Volume VIII

Sjambak, by Jack Vance
One Man’s Poison, by Robert Sheckley
Earthmen Bearing Gifts, by Frederic Brown
The Leech, by Phillips Barbee
The Day of the Boomer Dukes, by Frederik Pohl
No Strings Attached, by Lester del Rey
Keep Your Shape, by Robert Sheckley
The Machine that Saved the World, by Murray Leinster

The Golden Age of Science Fiction – Volume IX

The Protector, by Betsy Curtis
Jaywalker, by Ross Rocklynne
Picture Bride, by William Morrison
Two Weeks in August, by Frank Robinson
Queen of the Flaming Diamond, by Leroy Yerxa
No Shield from the Dead, by Gordon Dickson
Fair and Warmer, by E.G. von Wald
Human Error, by Raymond Jones
Oogie Finds Love, by Berkeley Livingston
The Prophetic Camera, by John McGeevey
Sinister Paradise, by Robert Moore Williams

The Golden Age of Science Fiction – Volume X

Yesterday House, by Fritz Leiber
Wailing Wall, by Roger Dee
The Valor of Cappen Varra, by Poul Anderson
The Thing in the Attic, by James Blish
The Street that Wasn’t There, by Clifford Simak
The Snare, by Richard Smith
The Repairman, by Harry Harrison
The Bluff of the Hawk, by Anthony Gilmore
The Problem Makers, by Robert Hoskins

The Golden Age of Science Fiction – Volume XI

Bodyguard, by Christopher Grimm
Med Ship Man, by Murray Leinster
The Judas Valley, by Gerald Vance
The Misplaced Battleship, by Harry Harrison
Piper in the Woods, by Philip K. Dick
The Happy Unfortunate, by Robert Silverberg
Genesis, by H. Beam Piper

The Golden Age of Science Fiction – Volume XII

Once a Greech, by Evelyn E. Smith
Pandemic, by J.F. Bone
My Fair Planet, by Evelyn E. Smith
Sorry: Wrong Dimension, by Ross Rocklynne
Junior, by Robert Abernathy
Song in a Minor Key, by C.L. Moore
The Right Time, by Walter Bupp
The Man Who Saw the Future, by Edmond Hamilton
Citadel, by Algis Budrys
The Doorway, by Evelyn E. Smith
To Remember Charlie By, by Roger Dee
The Last Place on Earth, by Jim Harmon
Do Unto Others, by Mark Clifton

The Golden Age of Science Fiction – Volume XIII

Death Wish, by Ned Lang
Assignment’s End, by Roger Dee
Double or Nothing, by Jack Sharkey
The Victor, by Bryce Walton
The Nostalgia Gene, by Roy Hutchins
Garrity’s Annuities, by David Mason
The Freelancer, by Robert Zacks
My Lady Selene, by Magnus Ludens
The Great Nebraska Sea, by Allan Danzig
On the Fourth Planet, by J.F. Bone
$1,000 A Plate, by Jack McKenty
Sweet Tooth, by Robert F. Young
Hot Planet, by Hal Clement

The Golden Age of Science Fiction – Volume XIV

Problem on Balak, by Roger Dee
Star, Bright, by Mark Clifton
Man in a Sewing Machine, by L.J. Stecher
Point of Departure, by Vaughan Shelton
Of All Possible Worlds, by William Tenn
End as a World, by F.L. Wallace
Arm of the Law, by Harry Harrison
Subspace Survivors, by Edward E. Smith
Prison Of A Billion Years, by C.H. Thames
The Nothing Equation, by Tom Godwin

The Golden Age of Science Fiction – Volume XV

Project Mastodon, by Clifford Simak
The Holes Around Mars, by Jerome Bixby
Big Ancestor, by F.L. Wallace
Jack of No Trades, by Evelyn E. Smith
The Piebald Hippogriff, by Karen Anderson
Shipwreck in the Sky, by Eando Binder
Sentiment, Inc., by Poul Anderson
Postmark Ganymede, by Robert Silverberg
The Next Logical Step, by Ben Bova
Tedric, by E.E. Smith

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Some Cordwainer Smith Books (Part 2)

Last time out, I was talking about receiving my first batch of Cordwainer Smith books in the post, and that I was waiting for another batch. Well, the second batch has now arrived, three books. Actually, two separate books, and an extra copy of one of them.

The two books are We The Underpeople and When The People Fell, both published by Baen Books. The reason that I have an extra copy of one of them is simple: I ordered both books and didn’t realise that they were different editions, different sizes. The original Baen 2007 edition was a trade paperback, and the 2012 edition was a much smaller mass market paperback, so they don’t go together too well on the bookshelf. I’d mistakenly ordered one of each, so I had to rectify my mistake, and immediately ordered a copy of the 2007 trade paperback edition of When The People Fell. The smaller mass market paperback edition will serve as a reading copy, while the two trade paperbacks go on the bookshelves. Extra copies never go to waste. 🙂

The good news for hardcore Cordwainer Smith fans, or those just wanting to try him out, is that these two books contain ALL of the science fiction writing of this great author. There’s no need to track down any of his other books, unless you’re one of those OCD obsessives (like myself), who has to have all the different editions, with the different introductions and different covers.

We The Underpeople contains not only an excellent Introduction by Robert Silverberg, but also Smith’s only SF novel, NORSTRILIA, and five of his best short stories. When The People Fell contains an equally excellent Introduction by Frederik Pohl, the remaining twenty-two stories in his Instrumentality of Mankind future history sequence, plus six non-Instrumentality stories.

That’s all of Cordwainer Smith’s SF stories in two books. Awesome, truly awesome. And required reading for anyone who considers themselves true, hardcore SF fans. All I can say is: Go get ’em!

Some Cordwainer Smith Books

I’m back on a book binge at the moment, all sorts of books from Amazon, Ebay and other sources. From the SF lit side of things, I’ve been concentrating on one of my favourite authors, Cordwainer Smith, and the first batch of four Smith books has recently arrived on my doorstep.

The first of the Smith books is the original 1968 Pyramid Books paperback edition of The Underpeople, which is the second half of Smith’s only SF novel, NORSTRILIA. The first half was The Planet Buyer, which I already have in it’s original Pyramid 1964 paperback edition. I’ve had the Sphere Books 1975 UK paperback edition of The Underpeople for years, but I wanted the original US Pyramid edition to go with my US original edition of The Planet Buyer.

The other three books are interesting in that they are three different editions of the same book, namely The Best of Cordwainer Smith. First we have the July 1975 hardcover Book Club Edition edition, published by Nelson Doubleday Inc, then the September 1975 Ballantine Books 1st paperback edition. Aside from the larger size and different dustcover art of the hardcover edition, everything is exactly the same, except for a couple of things. Two of the stories are reversed in order for some inexplicable reason, and J.J. Pierce’s excellent Future History Timeline is in a much easier to read vertical format in the hardcover, whereas in the paperback edition it’s in a harder to read horizontal format spanning several levels.

The third version of the book is actually a UK edition, trade paperback format, No.10 in the SF Masterworks series, published by Gollancz/Orion. Aside from the larger size and beautiful cover art, the internals of this edition are exactly the same as the Ballantine 1st US paperback edition, including the horizontal format Future History Timeline. This one is worth having for the lovely cover artwork and the fact that it’s one of the SF Masterworks series.

I’ve still got several more Cordwainer Smith books due to arrive soon in the post. I’ll list those when they arrive.

“Dormant” (1948) by A. E. van Vogt

TITLE: “Dormant” (1948) by A. E. van Vogt
CATEGORY: Short Fiction
SUB-CATEGORY: Short Story
SOURCE: BEST SCIENCE-FICTION STORIES edited by Michael Stapleton (Hardcover, Hamlyn, 1977, ISBN: 0-600-38243-5, 750pp)
ORIGINALLY PUBLISHED: Startling Stories, November 1948

I was rummaging in the vaults a while ago, and I came upon an old anthology that I haven’t read in years. Well, me being me, I couldn’t resist having a browse through it, and looking at the extensive contents listing of excellent stories, the memories started flooding back.

I fondly remember this particular story as one of my favourites from that anthology. A. E. van Vogt’s short story “Dormant” was one of those Golden Age of Science Fiction classics first published in the November 1948 edition of Startling Stories, and the story isn’t one of those far-future, outer space tales, but is actually pretty much in a contemporary setting, 1948, the same year as the actual publication date of the story. Being an historian (I was actually studying history at school at the time I read it), I’ve always really liked the strong post-World War II setting of this tale, with the US destroyer Coulson and it’s crew doing mop up operations on a remote pacific island, finding hidden caches of fuel and other goodies left behind by the Japanese.

But they also find a lot more than just Japanese leftovers. There’s the perplexing mystery of a gigantic rock, weighing millions of tons, which seems to be able to move around the island at will. A rock with a surface temperature of many hundreds of degrees, and which hurls out seemingly random destructive radioactive blasts. A giant rock which is not actually a rock, but an ancient, sentient robot bomb left on Earth countless millions of years ago by some alien race in a long-forgotten interstellar war.

The sections of the story from the POV of the bomb are among my favourites. The bomb, which actually has a name (it calls itself Iilah), has been dormant for countless aeons, but has recently been reawakened by the radiation from the atomic bomb tests on Bikini Atoll in 1946. It has got only low-level life functions back, and is suffering from amnesia. It cannot see the water, air, and even the humans around it. It’s simply totally unaware of their existence. All it can see are the ships and the planes, which it takes for strange lifeforms, flying around in the “sky”. And it’s the bomb’s attempts to communicate with these “lifeforms”, to try find out where it can get more sources of atomic energy to revive it, which unwittingly causes so much destruction and kills so many people.

And of course the humans, predictable as ever, just HAVE to start shooting at the damned thing. The giant “rock” fights back, kicking their asses and destroying the Coulson, much of the other equipment, and unknowingly snuffing out dozens of lives of which it is totally unaware. The remainder of the taskforce is ordered off the island, and an atomic bomb dropped, which is, ironically, exactly what Iilah needs. The flood of energy totally reinvigorates it, and it remembers its mission. It IS a robot bomb, after all, so it promptly follows orders, explodes and knocks Earth out of its orbit and into the sun. And so the world ends in 1948. 🙂

“Dormant” must be one of the first A. E. van Vogt short stories that I read (maybe even the first) back in the day, although I’d definitely read a few of his novels before that point. It was during this timeframe that I also came across three other van Vogt short stories – “The Monster”, “Vault of the Beast” and “Black Destroyer” – in anthologies that I’d taken out from the local library, but I’m pretty sure that I read “Dormant” before any of the others. Those four stories became huge favourites of mine during my mid-to-late-teens, and kick-started my obsession for hunting down collections of van Vogt short fiction.

“Dormant” (indeed all four of these stories) has stuck in my mind these past forty years, and is one of those early gems that cemented my newly-acquired obsession as a hardcore SF fan. I’ll always have a soft spot in my heart for this one.

Anyone who might want to read this story, and is finding it hard to get a copy of this anthology, can also find the story in a couple of van Vogt’s short story collections, notably Destination: Universe! and Transfinite: The Essential A.E. van Vogt.

THE EARLY POHL (1976) by Frederik Pohl

The Early Pohl (1976)-03

This time out, I’m going to take a look at a collection of very early stories by one of my favourite SF writers, who also happened to be one of the best editors in the SF industry, and one of the true titans of the SF world, Frederik Pohl. The eight stories and single poem span the years 1937-1944, and there is also a nice introduction and further introductory piece, The Early Pohl, both written by the man himself.

TITLE: THE EARLY POHL
AUTHOR: Frederik Pohl
CATEGORY: Short Fiction
SUB-CATEGORY: Single-Author Collection
FORMAT: Hardback (with dustjacket), US 1st Edition, New York, 1976, 183 pages
PUBLISHER: Doubleday & Co. Inc., New York.

Contents (8 stories, 1 poem):

  • Introduction by Frederik Pohl
  • The Early Pohl by Frederik Pohl
  • “Elegy to a Dead Planet: Luna”, originally published as “Elegy to a Dead Satellite: Luna” under the pseudonym “Elton Andrews”, (poem, Amazing, October 1937)
  • “The Dweller in the Ice”, originally published under the pseudonym “James MacCreigh” (short story, Super Science Stories, January 1941)
  • “The King’s Eye”, originally published under the pseudonym “James MacCreigh”, (short story, Astonishing Stories, February 1941)
  • “It’s a Young World”, originally published under the pseudonym “James MacCreigh”, (novelette, Astonishing Stories, April 1941)
  • “Daughters of Eternity”, originally published under the pseudonym “James MacCreigh” (short story, Astonishing Stories, March 1942)
  • “Earth, Farewell!”, originally published under the pseudonym “James MacCreigh”, (novelette, Astonishing Stories, February 1943)
  • “Conspiracy on Callisto”, originally published under the pseudonym “James MacCreigh”, (short story, Planet Stories, Winter 1943)
  • “Highwayman of the Void”, originally published under the pseudonym “Dirk Wylie”, (novelette, Planet Stories, Fall 1944)
  • “Double-Cross”, originally published under the pseudonym “James MacCreigh”, (short story, Planet Stories, Winter 1944)

Aside from the poem, “Elegy to a Dead Planet: Luna”, which was Pohl’s first published work, I haven’t read any of these stories before. The first two Pohl stories that I did read, way back in my early and mid-teens, were also early ones from the same era as these stories, both appearing under the same “James MacCreigh” pseudonym as most of the stories in this collection.

“Wings of the Lightning Land” was a novelette which first appeared in the November 1941 edition of Astonishing Stories, and was the very first Pohl/MacCreigh story that I ever read, in the classic anthology Science Fiction: The Great Years, edited by Carol & Frederik Pohl (who else?). The other one that I read shortly afterwards was “Let the Ants Try”, a short story that first appeared in the Winter 1949 edition of Planet Stories, and which I read in another SF anthology (can’t remember which) back in my mid-teens. Both of these stories had a huge effect on me at that early age, and have remained firm favourites ever since I first read them over forty years ago. They are among a select group of SF stories that have stuck firmly in my mind virtually my entire life.

I’m actually very surprised that both of these stories were not included in this collection, as they’re two of Pohl’s best early stories from this era, and they really should’ve been in this book. They would’ve been a perfect fit for this one. Ah, well, I have them in other anthologies anyway. As I’m a big fan of Pohl’s work, and I always love stories from this time period, I really should enjoy these stories. I think I’ll be in for a real treat with this collection.

THE MEN AND THE MIRROR (1973) by Ross Rocklynne

Rocklynne, Ross - The Men and the Mirror-03

This time out, we have a single author collection of short fiction by SF Pulps stalwart, Ross Rocklynne (real name Ross Louis Rocklin, February 21, 1913 – October 29, 1988). Rocklynne was very active in the SF magazines from the early-1930s up until the mid-1950s, when he disappeared off the scene for more than a decade (supposedly because of his interest in Dianetics), only returning in the late-1960s, when he wrote a small number of highly regarded stories, including “Ching Witch!”, which appeared in Harlan Ellison’s classic 1972 anthology, AGAIN, DANGEROUS VISIONS.

But it’s Rocklynne’s classic 1930s, 1940s and early-1950s stories that he is most remembered for. And this is a nice little collection, spanning 1936-1952, another fairly short book, only 208 pages and six stories, so it shouldn’t be too hard to get through.

TITLE: THE MEN AND THE MIRROR
AUTHOR: Ross Rocklynne
CATEGORY: Short Fiction
SUB-CATEGORY: Single Author Collection
FORMAT: Paperback, 208 pages
PUBLISHER: Ace Books, First Ace Printing, New York, 1973
ISBN: 0 7278 1221 1

CONTENTS:

  • Introduction by Ross Rocklynne
  • “At the Center of Gravity” (Astounding Stories, June 1936)
  • “Jupiter Trap” (Astounding Stories, August 1937)
  • “The Men and the Mirror” (Astounding Science Fiction, July 1938)
  • Robert D. Swisher letter from Astounding Stories, November 1938
  • “They Fly So High” (Amazing Stories, June 1952)
  • “The Bottled Men” (Astounding Science Fiction, June 1946)
  • “And Then There Was One” (from Astounding Science Fiction, February 1940)

Ross Rocklynne was one of those writers who seemed to pop up regularly in the SF mags during the 1930s-1950s, and who was very popular, but was sadly underappreciated compared to his more famous contemporaries (Heinlein, Van Vogt, Asimov, Del Rey, etc), and so he never achieved the same level of fame as these authors. Perhaps this was because many of the stories were very unusual for that era, less mainstream commercial SF, and in many ways quite a bit ahead of their time. He was certainly a very powerful writer, almost avant-garde, and in many ways was a precursor to the New Wave of the 1960s. Maybe this explains why he was never as big as the likes of Heinlein or Van Vogt.

My own first encounters with Rocklynne’s work came through reading some of his short fiction in various anthologies of Golden Age SF (I’ve never read any of his novels). The two that I remember best, and which stick in my mind, are “Into the Darkness” (Astonishing Stories, June 1940) and “Time Wants a Skeleton” (Astounding, June 1941). “Into the Darkness”, which spawned several sequel stories, is a fascinating tale with no human characters at all. The main characters are a bunch of ancient, sentient nebulae (not many writers could pull that one off)! “Time Wants a Skeleton” is a very clever time paradox/time loop story, which was quite unusual and complex back in 1941, although this type of story has become quite commonplace in recent years.

I’ve never read any of the stories in this collection before, and all of them are considered classic “scientific puzzle” or “scientific problem” stories, which were so much in vogue during that era. The first three stories, “At the Center of Gravity”, “Jupiter Trap” and “The Men and the Mirror” were all published in Astounding in June 1936, August 1937 and July 1938 respectively, and were part of the “cops and robbers” Colbie and Deverel series, featuring Interplanetary Police Officer Lt. Jack Colbie, and his long time adversary, space pirate Edward Deverel. The third story and title story of the collection, “The Men and the Mirror” is followed by a very interesting letter published several months later in Astounding from one Robert D. Swisher, arguing that the calculations in “The Men and the Mirror” were completely wrong. Just the kinda thing that John W. Campbell Jr loved to publish, and guaranteed to cause much controversy and discussion! 🙂

The fourth and fifth stories were originally intended to be part of the Colbie and Deverel series, but for some reason Rocklynne changed the names, backgrounds and personalities of the main male adversaries. But in every other respect, they are still the same “cops and robbers” space stories. The final story of the six, “And Then There Was One”, is a variation on the classic “Ten Little Indians” theme. It breaks (slightly, but not a lot) the trend of the “cops and robbers” theme in the previous five tales, and was obviously written to show that the premise of the first story, “At the Center of Gravity”, was scientifically incorrect. Rocklynne sounds like a right screwball – quite obviously my type of guy! 🙂

The edition of THE MEN AND THE MIRROR that I have is the Ace Books 1st Paperback edition, and apparently Rocklynne himself was VERY unhappy about how Ace Books handled the publishing of his short story collection. And who could blame him? The stories were published out of chronological order, and, if that wasn’t bad enough, the break between the fifth and sixth stories was completely omitted, leaving out altogether both the title of the story and the author’s introductory comments to the final story in the collection, “And Then There Was One”. It is so bad that there are many readers who are convinced that there are only five stories in the collection. I’ve seen comments on Amazon.com complaining about this very thing. But trust me. There are six stories, not five. Just go to page 168 and check it out.

You have to look very carefully to even find where “And Then There Was One” begins, as the final paragraph of the previous story, “The Bottled Men”, ends about half way down page 168, there is a single paragraph break, and then straight into the first paragraph of “And Then There Was One”. There is no title nor any author’s comments (as there were with the previous five stories) to show where it begins. And this was compounded even further by the fact that there are only five stories listed on the Contents page – “And Then There Was One” is omitted from that as well, although, strangely enough, it IS listed on the preceding Copyright/Credits page. All in all, this was a complete printing/publishing cock-up by the Ace Books editors, which, sadly, spoils the enjoyment of this nice collection somewhat. No wonder Ross Rocklynne was absolutely livid.

Just as an addendum, and through judicious use of Google, I’ve tracked down Rocklynne’s author comments to “And Then There Was One”. They were published for the very first time in a reference book, The Work of Ross Rocklynne: An Annotated Bibliography & Guide**, and I’ve reprinted the comments here, just in case anyone else has read the collection and might be interested:

“Sir Isaac Newton provided the idea. He already had Worked out the problem of the hollow planet before I approached it in “At the Center of Gravity”. My answer was wrong. A decision was made to set the record straight, even though no complaining remarks about my ancient error had come through. The ten little Indians implied in the title became six big businessmen having a bit of a go at each other under rather strange and, in a manner of speaking, revolutionary conditions. Again, a planet was tailored to fit the problem.”*

*The Work of Ross Rocklynne: An Annotated Bibliography & Guide p.59

**The Work of Ross Rocklynne: An Annotated Bibliography & Guide
by Douglas Menville
edited by Boden Clarke
Borgo Press, First Edition December 1989
Hardback: ISBN: 0-8095-0511-8 $19.95
Paperback: ISBN: 0-8095-0511-3 $9.95

BEYOND THE BARRIERS OF SPACE AND TIME edited by Judith Merril

This time around, we have an SF anthology. This one is an oldie, from 1955, and is compiled and edited by Judith Merril, another of my favourite anthologists. This is the first Judith Merril anthology that I’ve featured on this blog, and most certainly won’t be the last.

TITLE: BEYOND THE BARRIERS OF SPACE AND TIME
EDITED BY: Judith Merril
CATEGORY:Short Fiction
SUB-CATEGORY:Anthology
PUBLISHER: Sidgwick and Jackson, London, 1955
FORMAT: Hardback, 1st Edition, 291 pages

CONTENTS:

  • Introduction by Theodore Sturgeon
  • Preface by Judith Merril
  • “Wolf Pack” by Walter M. Miller, Jr. (short story, Fantastic, Sept/Oct 1953)
  • “No One Believed Me” by Will Thompson (Saturday Evening Post, April 24, 1948)
  • “Perforce to Dream” by John Wyndham (short story, Beyond Fantasy Fiction, Jan 1954)
  • “The Laocoon Complex” by J. C. Furnas (Esquire, April 1937)
  • “Crazy Joey” by Mark Clifton and Alex Apostolides (short story, Astounding Science Fiction, August 1953)
  • “The Golden Man” by Phillip K. Dick (novelette, If Magazine, April 1954)
  • “Malice Aforethought” by David Grinnell [Donald A. Wollheim] (short story, Fantasy & Science Fiction, Nov 1952)
  • “The Last Seance” by Agatha Christie (short story, Ghost Stories, November 1926)
  • “Medicine Dancer” by Bill Brown (short story, Fantasy Fiction, November 1953)
  • “Behold It Was a Dream” by Rhoda Broughton (Temple Bar, November 1872)
  • “Belief” by Isaac Asimov (novelette, Astounding Science Fiction, October 1953)
  • “The Veldt” by Ray Bradbury (Saturday Evening Post, September 23, 1950)
  • “Mr. Kincaid’s Pasts” by J. J. Coupling [John R. Pierce] (short story, Fantasy & Science Fiction, August 1953)
  • “The Warning” by Peter Phillips (short story, Fantasy & Science Fiction, September 1953)
  • “The Ghost of Me” by Anthony Boucher (short story, Unknown, June 1942)
  • “The Wall Around the World” by Theodore R. Cogswell (novelette, Beyond Fantasy Fiction, September 1953)
  • “Operating Instructions” by Robert Sheckley (short story, Astounding Science Fiction, May 1953)
  • “Interpretation of a Dream” by John Collier (The New Yorker, May 5, 1951)
  • “Defense Mechanism” by Katherine MacLean (short story, Astounding Science Fiction, October 1949)

This anthology is a 1st UK Edition, published in London by Sidgwick & Jackson, old stalwarts in the SF publishing field. It features nineteen stories by a wide assortment of authors, many of them pretty obscure. There is also an Introduction by Theodore Sturgeon, a Preface by Judith Merril, and a Bibliography at the back of the book.

The Bibliography erroneously lists the Anthony Boucher story (“The Ghost of Me”) as having appeared in the June 1942 edition of Astounding Science Fiction. It was the June 1942 edition of Unknown. I’ve done the usual with all of the stories that appeared in the SF&F magazines, giving their month and year of publication, and noting if the stories were short stories, novelettes, etc. But several of the stories were not published in the SF&F magazines, appearing instead in general mass media publications. In those instances, only the name of the magazine and the year of publication is listed.

Highlighting the stories from the regular SF&F publications of that era, there are a few familiar faces and stories, although many are also totally unfamiliar to me. There are some old favourites – Bradbury’s “The Veldt”, Asimov’s “Belief”, and Dick’s “The Golden Man” (an old childhood favourite of mine). There are also a bunch of unfamiliar stories from very familiar authors – Wyndham, Miller, Boucher, Sheckley, Clifton, Cogswell, Phillips, Wollheim (as David Grinnell) and MacLean. But the other stories are by totally unknown authors (to me, anyway). The stories may have appeared in the regular SF mags, but I’m afraid I’m totally unfamiliar with them and their authors (J. J. Coupling and Bill Brown).

In among the regular SF authors and magazines from that era, there are some real oddities. As I’ve already mentioned, there were several totally unfamiliar stories by unfamiliar authors, originally published in mainstream non-SF publications – John Collier (The New Yorker), J. C. Furnas (Esquire) and Will Thompson (Saturday Evening Post).

There is also a story from 1926 by Agatha Christie (“The Last Seance”), which is a strange one for an SF anthology, although many pre-1960s SF&F anthologies were often a varied mix of more cross-genre types of stories. Finally, there is another oddity which was first published way back in 1873, a story by Rhoda Broughton (“Behold It Was a Dream”). Broughton was the niece of J. Sheridan Le Fanu, and an accomplished author in her own right, although regretfully now mostly forgotten. The Bibliography completely omits the listing for this story, for some reason.

A very interesting anthology, and a bit of a strange mix. Should be a good read.